Francis Picabia (1879-1953) - Retrato de una española (1930)
Francis Picabia - Portrait of a Blonde [c.1942-43]
This painting depicts one of the actresses who was in vogue at the time, Madeleine Sologne (born Madeleine Simone Vouillon). Her cinematic career began in 1936 with a small role in La Vie est à nous by Jean Renoir. At this time she also became a model for Moïse Kisling who painted several portraits of her, It was a 1943 film entitled L’Eternel Retour, written by Jean Cocteau directed by Jean Delannoy that made Madeleine Sologne a star. Alongside the film’s other lead, Jean Maraism she embodied French youth under the Occupation. It was during this period that Picabia decided to take inspiration from the many photographic images of her to paint the present picture.
[Sotheby’s, Paris - Oil on card, 53.5 x 43.5 cm]
Imagen y texto en Gandalf's Gallery
Francis Picabia - Quatre femmes au bord de l'eau [c.1942]
This work is a subtle composition by Francis Picabia among his series of ultra-realistic portraits of women from the 1940’s. This work is most notable for its popular naturalistic style explored by the artist since the beginning of the Second World War. Established in the free zone, in the area of Golfe-Juan, Francis Picabia embarked on the expression of a heterodox modernity, halfway between genre scene and the erotic nude, breaking with his early figurative paintings.
[Sotheby’s, Paris - Oil on cardboard, 106 x 75.5 cm]
Imagen y texto en Gandalf's Gallery
Sólo doy mi palabra de honor para mentir.
Francis Picabia
Je ne donne ma parole d'honneur que pour mentir.